In 1979, a 24-year-old trainee barrister named Tim Martin opened a single pub on Colney Hatch Lane in Muswell Hill, north London, and called it Martin’s Free House. He never practised law. Instead he built that one pub into J D Wetherspoon, the chain now running more than 790 managed pubs across the UK, Ireland, the Isle of Man and, since January 2026, Spain. The name itself has a famously disputed origin: Martin has said he borrowed “J D” from a character on The Dukes of Hazzard and “Wetherspoon” from a New Zealand schoolteacher who, by his own account, could never quite control his classroom — a joke about a chain that would go on to run some of the most orderly, cheapest pints in Britain.

Wetherspoon pubs get mocked for sameness — carpet, chandeliers, a laminated curry menu — but the chain’s actual signature is the opposite of generic: a habit of buying up London’s most architecturally overqualified buildings and turning them into the cheapest seat in the room. Banks, cinemas, town halls, a Methodist chapel, a Grade I-listed former ballroom — Wetherspoon has converted all of them into pubs. One of the best examples sits on Charing Cross Road, at the edge of Soho: The Montagu Pyke.

A Cinema Pioneer’s Last Picture House

The building at 105–107 Charing Cross Road opened in 1911 as Pyke’s Cambridge Circus Cinematograph Theatre, the sixteenth and final cinema built by Montagu Pyke, one of the first entrepreneurs in Britain to realize that film could be a mass business rather than a fairground novelty. Pyke had opened a string of early cinemas across London in the years just after the medium arrived commercially, but his luck ran out alongside his tally of venues. In 1915, a fire broke out at one of his cinemas and an employee died; Pyke was charged over the death and, by most accounts, acquitted — but the scandal and the financial strain of over-expansion sank him anyway, and he was bankrupt within a few years.

The Cambridge Circus building outlived its founder by decades, cycling through names and uses that track the whole history of 20th-century British entertainment: it became the Super Cinema, then the Tatler, then Filmcenta, then a three-screen Cannon multiplex, then the Jacey. In 1986 it took on its best-known post-cinema identity, becoming the home of the Marquee Club — the venue that had already hosted The Rolling Stones, The Who, Jimi Hendrix and David Bowie at earlier Soho addresses — until the club closed on this site in the mid-1990s. J D Wetherspoon took the lease soon after, and the pub opened on 20 December 1996 under the name The Moon Under Water, a nod to George Orwell’s 1946 essay describing his idea of the perfect fictional pub. It was later renamed The Montagu Pyke, after the man who built the room in the first place.

What You’re Actually Paying For

Wetherspoon’s whole model is built on stripping out the costs most pubs can’t avoid — Martin has long argued that the chain’s refusal to pay slotting fees to breweries, its bulk-buying leverage, and lower staffing ratios than a typical gastropub let it sell beer and food at prices that would be unprofitable for almost anyone else. That model has been under real pressure lately: in a 22 July 2026 pre-close trading update, Martin warned that annual profit would land below market expectations on rising staff and tax costs, with net debt expected to hold around £720 million at year-end, even as like-for-like sales kept outpacing the wider pub sector for a 43rd straight month. The squeeze shows up on the menu — food and drink prices have risen roughly 7.5% over the past year by some reporting, and a pint of Stella Artois that cost £3.35 in some pubs recently moved to £3.60 — but the chain still runs the cheapest menu of any major pub operator in Britain.

At The Montagu Pyke, that means a vegan breakfast at £3.99, small breakfasts typically under £4, and the two recurring weekly deals that regulars build their week around: Steak Club on Tuesdays, built around a classic 8oz sirloin, and Curry Club on Thursdays, featuring the chain’s katsu curry range, both served with a drink included and running from around £8.46 with a soft drink to about £9.99 with a pint. Neither deal requires booking — you order and pay at the till, like everywhere else in the building, then carry your own plate to a table under what used to be a 1,700-seat auditorium ceiling.

Why It’s Worth the Detour

Charing Cross Road sits at the hinge between the West End’s theatre district and Soho’s old entertainment core, and The Montagu Pyke is a five-minute walk from Leicester Square station — easy to fold into an afternoon of browsing the secondhand bookshops that still cluster nearby, or a pre-theatre stop before a show at the Garrick or the Phoenix. It’s open from mid-morning to late, serves breakfast until noon, and takes the same J D Wetherspoon app ordering system used chainwide, so you can order from your table without flagging down a server. The room itself is the real draw: wide, high-ceilinged, carrying the bones of a building that has been a cinema, a legendary rock venue, and now one of the cheapest sit-down meals in central London, all without changing its footprint on Charing Cross Road once in over a century.

A pint of beer being poured at a bar
A pint being poured at a bar — illustrative of the pub’s format, not a photo of The Montagu Pyke itself. Photo: Ben Black on Unsplash.